COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
MIA_.79.4
amicoid
MIA_.79.4
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Decorative Arts and Utilitarian Objects
oty
Decorative Arts and Utilitarian Objects
Object Type
false
Creator Nationality:
Japan
crc
Japan
Creator Nationality
false
Creator Name-CRT:
Japan
crt
Japan
Creator Name-CRT
false
Title:
Chatsubo (Leaf-Tea Storage Jar)
otn
Chatsubo (Leaf-Tea Storage Jar)
Title
false
View:
Front
rid
Front
View
false
Creation Date:
17th century
oct
17th century
Creation Date
false
Creation Start Date:
1600
ocs
1600
Creation Start Date
false
Creation End Date:
1700
oce
1700
Creation End Date
false
Materials and Techniques:
Tamba wareStoneware with natural ash glaze
omd
Tamba wareStoneware with natural ash glaze
Materials and Techniques
false
Classification Term:
Ceramic
clt
Ceramic
Classification Term
false
Dimensions:
H.16 x W.13-1/2 in.
met
H.16 x W.13-1/2 in.
Dimensions
false
AMICA Contributor:
The Minneapolis Institute of Arts
oon
The Minneapolis Institute of Arts
AMICA Contributor
false
Owner Location:
Minneapolis, Minnesota, USA
oop
Minneapolis, Minnesota, USA
Owner Location
false
ID Number:
79.4
ooa
79.4
ID Number
false
Credit Line:
Gift of Bruce B. Dayton
ooc
Gift of Bruce B. Dayton
Credit Line
false
Rights:
orl
<a href="http://www.artsmia.org/restrictions.cfm"target="_new">http://www.artsmia.org/restrictions.cfm</a>
Rights
false
Context:
This robust jar was used to store dried tea leaves before they were ground into powder for use in the tea ceremony. Its high neck was designed to accommodate a stopper which would have been lashed to the vessel with a cord threaded through the four lugs. The relatively even edge of the glaze suggests that it was purposefully applied, while ash from the firing created interesting variations in texture and color on the vessel's shoulder.
cxd
This robust jar was used to store dried tea leaves before they were ground into powder for use in the tea ceremony. Its high neck was designed to accommodate a stopper which would have been lashed to the vessel with a cord threaded through the four lugs. The relatively even edge of the glaze suggests that it was purposefully applied, while ash from the firing created interesting variations in texture and color on the vessel's shoulder.
Context
false
Related Image Identifier Link:
MIA_.17853c.tif
ril
MIA_.17853c.tif
Related Image Identifier Link
false