COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
MMA_.1982.433.5
amicoid
MMA_.1982.433.5
AMICA ID
false
AMICA Library Year:
2000
aly
2000
AMICA Library Year
false
Object Type:
Architecture
oty
Architecture
Object Type
false
Creator Nationality:
European; Northern European; German
crc
European; Northern European; German
Creator Nationality
false
Creator Name-CRT:
German
crt
German
Creator Name-CRT
false
Title:
The Temptation of Saint Anthony
otn
The Temptation of Saint Anthony
Title
false
View:
Full View
rid
Full View
View
false
Creation Date:
1532
oct
1532
Creation Date
false
Creation Start Date:
1532
ocs
1532
Creation Start Date
false
Creation End Date:
1532
oce
1532
Creation End Date
false
Materials and Techniques:
Colorless glass, silver stain, vitreous paint
omd
Colorless glass, silver stain, vitreous paint
Materials and Techniques
false
Classification Term:
Glass-Stained
clt
Glass-Stained
Classification Term
false
Dimensions:
Diam. 8 in. (20.3 cm)
met
Diam. 8 in. (20.3 cm)
Dimensions
false
AMICA Contributor:
The Metropolitan Museum of Art
oon
The Metropolitan Museum of Art
AMICA Contributor
false
Owner Location:
New York, New York, USA
oop
New York, New York, USA
Owner Location
false
ID Number:
1982.433.5
ooa
1982.433.5
ID Number
false
Credit Line:
The Cloisters Collection, 1982
ooc
The Cloisters Collection, 1982
Credit Line
false
Rights:
orl
<a href="http://www.metmuseum.org/"target="_new">http://www.metmuseum.org/</a>
Rights
false
Context:
Saint Anthony Abbot's test of faith at the hands of a clutch of demons is represented here in a charming, if somewhat naive, Late Gothic style. Dressed as an abbot, the saint holds a crosier, which terminates in a tau cross and a mendicant's bell; he is surrounded by fantastical beasts. The inscription suggests that the roundel was a donation by a local priest, who kneels before the saint next to his coat of arms.
This roundel is stylistically consistent with other works known to have originated in southern Germany. The inscription names the village of Kappel and its priest in 1532.
cxd
<P>Saint Anthony Abbot's test of faith at the hands of a clutch of demons is represented here in a charming, if somewhat naive, Late Gothic style. Dressed as an abbot, the saint holds a crosier, which terminates in a tau cross and a mendicant's bell; he is surrounded by fantastical beasts. The inscription suggests that the roundel was a donation by a local priest, who kneels before the saint next to his coat of arms.</P> <P>This roundel is stylistically consistent with other works known to have originated in southern Germany. The inscription names the village of Kappel and its priest in 1532.</P>
Context
false
Related Image Identifier Link:
MMA_.cl1982.433.5.R.tif
ril
MMA_.cl1982.433.5.R.tif
Related Image Identifier Link
false