COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1928.859
amicoid
CMA_.1928.859
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Decorative Arts and Utilitarian Objects
oty
Decorative Arts and Utilitarian Objects
Object Type
false
Creator Name:
Group R
crn
Group R
Creator Name
false
Creator Nationality:
Greek
crc
Greek
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Group R
crt
Group R
Creator Name-CRT
false
Title:
White-Ground Lekythos (Funerary Oil Pitcher)
otn
White-Ground Lekythos (Funerary Oil Pitcher)
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Detail
rid
Detail
View
false
Creation Date:
c. 420 BC
oct
c. 420 BC
Creation Date
false
Creation Start Date:
-425
ocs
-425
Creation Start Date
false
Creation End Date:
-415
oce
-415
Creation End Date
false
Materials and Techniques:
painted terracotta
omd
painted terracotta
Materials and Techniques
false
Classification Term:
Ceramic
clt
Ceramic
Classification Term
false
Style or Period:
Greece, Attic, 5th Century BC
std
Greece, Attic, 5th Century BC
Style or Period
false
Dimensions:
Overall: 49.5cm
met
Overall: 49.5cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1928.859
ooa
1928.859
ID Number
false
Credit Line:
Gift of the John Huntington Art and Polytechnic Trust
ooc
Gift of the John Huntington Art and Polytechnic Trust
Credit Line
false
Rights:
orl
<a href="http://www.clevelandart.org/museum/disclaim2.html"target="_new">http://www.clevelandart.org/museum/disclaim2.html</a>
Rights
false
Context:
The white-ground technique was the closest form to ancient wall painting. The artist covered the area of the vessel that was to be decorated with a thick white slip and then he drew the figures and subsidiary decoration on that ground.Scene: Three youths at a tomb.
cxd
The white-ground technique was the closest form to ancient wall painting. The artist covered the area of the vessel that was to be decorated with a thick white slip and then he drew the figures and subsidiary decoration on that ground.Scene: Three youths at a tomb.
Context
false
Related Image Identifier Link:
CMA_.1928.859det02.tif
ril
CMA_.1928.859det02.tif
Related Image Identifier Link
false