COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1939.158
amicoid
CMA_.1939.158
AMICA ID
false
AMICA Library Year:
1999
aly
1999
AMICA Library Year
false
Object Type:
Textiles
oty
Textiles
Object Type
false
Creator Nationality:
French
crc
French
Creator Nationality
false
Creator Dates/Places:
France or Flanders, early 16th century
cdt
France or Flanders, early 16th century
Creator Dates/Places
false
Creator Name-CRT:
France or Flanders, early 16th century
crt
France or Flanders, early 16th century
Creator Name-CRT
false
Title:
Shepherds in Round Dance
otn
Shepherds in Round Dance
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
early 1500s
oct
early 1500s
Creation Date
false
Creation Start Date:
1500
ocs
1500
Creation Start Date
false
Creation End Date:
1525
oce
1525
Creation End Date
false
Materials and Techniques:
tapestry weave: silk and wool
omd
tapestry weave: silk and wool
Materials and Techniques
false
Classification Term:
Tapestries
clt
Tapestries
Classification Term
false
Classification Term:
Tapestries
clt
Tapestries
Classification Term
false
Dimensions:
Overall: 401.1cm x 360.5cm
met
Overall: 401.1cm x 360.5cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1939.158
ooa
1939.158
ID Number
false
Credit Line:
Gift of Leonard C. Hanna, Jr., for the Coralie Walker Hanna Memorial Collection
ooc
Gift of Leonard C. Hanna, Jr., for the Coralie Walker Hanna Memorial Collection
Credit Line
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Provenance:
Chateau d'Effiat.
opo
Chateau d'Effiat.
Provenance
false
Context:
Tapestries with pastoral scenes such as this were not generally woven to order, as were narrative series, but were stocked by weavers for ready sale. Acquired by the aristocracy both as an investment and for practical reasons, they were hung on castle walls for decoration. Tapestries were also hung along streets during festivals, given as gifts, transported from one royal residence to another, and were even taken on military campaigns.
cxd
Tapestries with pastoral scenes such as this were not generally woven to order, as were narrative series, but were stocked by weavers for ready sale. Acquired by the aristocracy both as an investment and for practical reasons, they were hung on castle walls for decoration. Tapestries were also hung along streets during festivals, given as gifts, transported from one royal residence to another, and were even taken on military campaigns.
Context
false
Related Image Identifier Link:
CMA_.1939.158.tif
ril
CMA_.1939.158.tif
Related Image Identifier Link
false