Hotei with Daoist Immortals: Immortal Riding Carp

COLLECTION NAME:

The AMICA Library

mediaCollectionId

AMICO~1~1

The AMICA Library

Collection

true

AMICA ID:

CMA_.1989.8.1

amicoid

CMA_.1989.8.1

AMICA ID

false

AMICA Library Year:

2002

aly

2002

AMICA Library Year

false

Object Type:

Paintings

oty

Paintings

Object Type

false

Creator Name:

Tomonobu, Kano

crn

Tomonobu, Kano

Creator Name

false

Creator Nationality:

Japanese

crc

Japanese

Creator Nationality

false

Creator Role:

artist

crr

artist

Creator Role

false

Creator Dates/Places:

1746 - 1828

cdt

1746 - 1828

Creator Dates/Places

false

Biography:

active later 16th century

crb

active later 16th century

Biography

false

Gender:

M

cgn

M

Gender

false

Creator Name-CRT:

Kano Tomonobu

crt

Kano Tomonobu

Creator Name-CRT

false

Title:

Hotei with Daoist Immortals: Immortal Riding Carp

otn

Hotei with Daoist Immortals: Immortal Riding Carp

Title

false

Title Type:

Primary

ott

Primary

Title Type

false

View:

Detail

rid

Detail

View

false

Creation Date:

c. 1575-1600

oct

c. 1575-1600

Creation Date

false

Creation Start Date:

1570

ocs

1570

Creation Start Date

false

Creation End Date:

1600

oce

1600

Creation End Date

false

Materials and Techniques:

triptych of hanging scrolls: ink on paper

omd

triptych of hanging scrolls: ink on paper

Materials and Techniques

false

Classification Term:

Painting

clt

Painting

Classification Term

false

Dimensions:

Painting only: 119.6cm x 51cm, Including mounting: 210.2cm x 68.6cm

met

Painting only: 119.6cm x 51cm, Including mounting: 210.2cm x 68.6cm

Dimensions

false

AMICA Contributor:

The Cleveland Museum of Art

oon

The Cleveland Museum of Art

AMICA Contributor

false

Owner Location:

Cleveland, Ohio, USA

oop

Cleveland, Ohio, USA

Owner Location

false

ID Number:

1989.8.1

ooa

1989.8.1

ID Number

false

Credit Line:

Mr. and Mrs. William H. Marlatt Fund

ooc

Mr. and Mrs. William H. Marlatt Fund

Credit Line

false

Rights:

http://www.clemusart.com/museum/disclaim2.html

orl

<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>

Rights

false

Context:

Hotei was a Chan (Japanese: Zen) monk living in China during the 900s who, in the 1300s, became a legendary figure in Japan. At that time a popular cult praising him sprang up, extending beyond Zen to other religious communities.This rare triptych embraces a central Zen icon with flanking Daoist images, thereby suggesting the compatibility-rather than the exclusivity-of these two creeds. Hotei also enjoys popularity in Japan as a kind of genre, or folk figure, which explains his mirthful expression in Japanese paintings. The Daoist figures in contrast appear eccentric and foreign-looking, in keeping with Daoist lore.When these paintings came to the museum their appearance was compromised by poor quality textile mountings, and cracked paper surfaces deserving of restoration. The fact that these scrolls constituted an integral set that properly had to be shown as a unit heightened the need to stabilize their condition and improve their presentation for museum visitors.A complete remounting of each scroll occurred following the cleaning of the paper surfaces and the repair of the lifting surface areas. No inpainting was done, thereby preserving the original ink values and brushstrokes.

cxd

Hotei was a Chan (Japanese: Zen) monk living in China during the 900s who, in the 1300s, became a legendary figure in Japan. At that time a popular cult praising him sprang up, extending beyond Zen to other religious communities.This rare triptych embraces a central Zen icon with flanking Daoist images, thereby suggesting the compatibility-rather than the exclusivity-of these two creeds. Hotei also enjoys popularity in Japan as a kind of genre, or folk figure, which explains his mirthful expression in Japanese paintings. The Daoist figures in contrast appear eccentric and foreign-looking, in keeping with Daoist lore.When these paintings came to the museum their appearance was compromised by poor quality textile mountings, and cracked paper surfaces deserving of restoration. The fact that these scrolls constituted an integral set that properly had to be shown as a unit heightened the need to stabilize their condition and improve their presentation for museum visitors.A complete remounting of each scroll occurred following the cleaning of the paper surfaces and the repair of the lifting surface areas. No inpainting was done, thereby preserving the original ink values and brushstrokes.

Context

false

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Hotei with Daoist Immortals: Immortal Riding Carp