COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.2000.5
amicoid
CMA_.2000.5
AMICA ID
false
AMICA Library Year:
2001
aly
2001
AMICA Library Year
false
Object Type:
Textiles
oty
Textiles
Object Type
false
Creator Nationality:
Asian; Anatolian; Byzantine
crc
Asian; Anatolian; Byzantine
Creator Nationality
false
Creator Name-CRT:
Egypt, Byzantine period, 6th Century
crt
Egypt, Byzantine period, 6th Century
Creator Name-CRT
false
Title:
Panel with Scenes of Revelry and Abundance from a Large Curtain
otn
Panel with Scenes of Revelry and Abundance from a Large Curtain
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
500s
oct
500s
Creation Date
false
Creation Start Date:
500
ocs
500
Creation Start Date
false
Creation End Date:
599
oce
599
Creation End Date
false
Materials and Techniques:
tapestry weave with supplementary weft wrapping; undyed linen and dyed wool
omd
tapestry weave with supplementary weft wrapping; undyed linen and dyed wool
Materials and Techniques
false
Dimensions:
Overall: 0cm x 143.5cm
met
Overall: 0cm x 143.5cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
2000.5
ooa
2000.5
ID Number
false
Credit Line:
Purchase from the J. H. Wade Fund and Gift of the Textile Art Alliance in memory of Robert P. Bergman
ooc
Purchase from the J. H. Wade Fund and Gift of the Textile Art Alliance in memory of Robert P. Bergman
Credit Line
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Context:
This large panel conveys power and wealth through its deep purple color and symbolic imagery. It was originally part of a luxurious wide curtain featuring similar wool and linen panels alternating with areas of plainer linen. Though woven in Christian Egypt, pagan subjects dominate and invoke scenes of revelry. In each of the three squares a nude male stands beside a dancing female in transparent clothing; they alternate with centaurs (half-man, half-horse) in roundels. In the central square, Dionysus holds a grapevine and a weary Herakles leans on his club below. The lively animal imagery reinforces opulence, since few could afford such animals: lions, bulls, hares, a bear, boar, donkey, dog, and a stag.
cxd
This large panel conveys power and wealth through its deep purple color and symbolic imagery. It was originally part of a luxurious wide curtain featuring similar wool and linen panels alternating with areas of plainer linen. Though woven in Christian Egypt, pagan subjects dominate and invoke scenes of revelry. In each of the three squares a nude male stands beside a dancing female in transparent clothing; they alternate with centaurs (half-man, half-horse) in roundels. In the central square, Dionysus holds a grapevine and a weary Herakles leans on his club below. The lively animal imagery reinforces opulence, since few could afford such animals: lions, bulls, hares, a bear, boar, donkey, dog, and a stag.
Context
false
Related Image Identifier Link:
CMA_.2000.5.tif
ril
CMA_.2000.5.tif
Related Image Identifier Link
false