The Sacrifice of Isaac

COLLECTION NAME:

The AMICA Library

mediaCollectionId

AMICO~1~1

The AMICA Library

Collection

true

AMICA ID:

DMA_.1987.36

amicoid

DMA_.1987.36

AMICA ID

false

AMICA Library Year:

2003

aly

2003

AMICA Library Year

false

Object Type:

Paintings

oty

Paintings

Object Type

false

Creator Name:

de Pereda, Antonio

crn

de Pereda, Antonio

Creator Name

false

Creator Dates/Places:

Spanish, 1599 - 1669

cdt

Spanish, 1599 - 1669

Creator Dates/Places

false

Creator Name-CRT:

Antonio de Pereda

crt

Antonio de Pereda

Creator Name-CRT

false

Title:

The Sacrifice of Isaac

otn

The Sacrifice of Isaac

Title

false

View:

Full View

rid

Full View

View

false

Creation Date:

c. 1659

oct

c. 1659

Creation Date

false

Creation Start Date:

1657

ocs

1657

Creation Start Date

false

Creation End Date:

1661

oce

1661

Creation End Date

false

Materials and Techniques:

Oil on canvas

omd

Oil on canvas

Materials and Techniques

false

Dimensions:

Overall: 84 3/4 x 62 1/4 in. (215.26 x 158.11 cm.)

met

Overall: 84 3/4 x 62 1/4 in. (215.26 x 158.11 cm.)

Dimensions

false

AMICA Contributor:

Dallas Museum of Art

oon

Dallas Museum of Art

AMICA Contributor

false

Owner Location:

Dallas, Texas, USA

oop

Dallas, Texas, USA

Owner Location

false

ID Number:

1987.36

ooa

1987.36

ID Number

false

Credit Line:

Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation

ooc

Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation

Credit Line

false

Rights:

http://www.DallasMuseumofArt.org

orl

<a href="http://www.DallasMuseumofArt.org"target="_new">http://www.DallasMuseumofArt.org</a>

Rights

false

Context:

As Rembrandt had before him, Mondrian drew and painted simple farm buildings in the Dutch countryside. For both artists, such structures resonate with the emotions and experiences of human life. Mondrian's deep involvement with nature as a spiritual force also permeates this scene and enriches the symbolism, as the waning light of day evokes the solitude of life's end.

cxd

As Rembrandt had before him, Mondrian drew and painted simple farm buildings in the Dutch countryside. For both artists, such structures resonate with the emotions and experiences of human life. Mondrian's deep involvement with nature as a spiritual force also permeates this scene and enriches the symbolism, as the waning light of day evokes the solitude of life's end.

Context

false

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MEDIA INFORMATION

The Sacrifice of Isaac