This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library), a growing online collection of high-quality, digital art images from over 20 museums around the world.
www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
- Cultures and time periods represented
range from contemporary art, to ancient Greek, Roman, and Egyptian works.
- Types of works include paintings, drawings,
watercolors, sculptures, costumes, jewelry, furniture, prints, photographs,
textiles, decorative art, books and manuscripts.
Gain access to this incredible resource through either a
monthly or a yearly subscription and search the entire collection from
your desktop, compare multiple images side by side and zoom into the minute
details of the images. Visit www.davidrumsey.com/amica
for more information on the collection, click on the link below the
revolving thumbnail to the right, or email us at amica@luna-img.com
.
Creator Nationality: North American; Central American; Mesoamerican
Creator Name-CRT: Peru, North Highlands, Chavín de Huantar(?), Chavín Style (1000-200 BC)
Title: Pin Ornament
Title Type: Primary
View: Full View
Creation Start Date: -50
Creation End Date: -20
Creation Date: c. 500-200 BC
Object Type: Decorative Arts and Utilitarian Objects
Classification Term: Metalwork
Materials and Techniques: hammered and cut gold
Dimensions: Overall:
AMICA Contributor: The Cleveland Museum of Art
Owner Location: Cleveland, Ohio, USA
ID Number: 1958.179
Credit Line: Gift of Mr. and Mrs. Paul Tishman
Rights: http://www.clemusart.com/museum/disclaim2.html
Provenance: Juan Dalmau, Peru; Joseph Brummer; Dr. Vladimir G. Simkhovitch
Context: There seems a link between Chavín religion and appearance of the Andes' first large, precious metal objects. Chavín perhaps introduced revolutionary innovations in metalworking to express the "wholly other" nature of its religion. Elites wore the ornaments as emblems of their ties to this religion and were eventually buried with them. These objects may come from the same group as two now in Washington, D.C. The human heads on these pins have slightly different hairstyles and one has facial decoration. Ornaments may have once dangled from their pierced noses.
AMICA ID: CMA_.1958.179
AMICA Library Year: 2002
Media Metadata Rights:
Copyright, The Cleveland Museum of Art
AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.
Home
| Subscribe
| Preview
| Benefits
| About
| Help
| Contact
Copyright © 2007 Cartography Associates.
All rights reserved.
|