This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library), a growing online collection of high-quality, digital art images from over 20 museums around the world.
www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
- Cultures and time periods represented
range from contemporary art, to ancient Greek, Roman, and Egyptian works.
- Types of works include paintings, drawings,
watercolors, sculptures, costumes, jewelry, furniture, prints, photographs,
textiles, decorative art, books and manuscripts.
Gain access to this incredible resource through either a
monthly or a yearly subscription and search the entire collection from
your desktop, compare multiple images side by side and zoom into the minute
details of the images. Visit www.davidrumsey.com/amica
for more information on the collection, click on the link below the
revolving thumbnail to the right, or email us at firstname.lastname@example.org
Creator Nationality: Asian; Far East Asian; Japanese
Creator Dates/Places: Japan
Creator Name-CRT: Japan
Title: Long-necked bottle
View: Principal view
Creation Start Date: 700
Creation End Date: 799
Creation Date: Nara period (710?794), 8th century
Object Type: Decorative Arts and Utilitarian Objects
Materials and Techniques: Stoneware with natural ash glaze and incised decoration (Sue ware)
Dimensions: H. 8 1/2 in. (21.6 cm)
Sue ware represents a decisive turning point in the history of Japanese ceramics, marking a break with the long tradition of producing earthenware. Largely as a result of innovations introduced by immigrant Korean potters, sueki (sue ware) was technically more advanced than wares of the preceding Jomon and Yayoi cultures. Japanese craftsmen began to use the potter's wheel during this time, as revealed by the even, relatively thin walls of this bottle's neck. Fired at a higher temperature than previously achieved?roughly 1000 to 1200ºC, in the range of modern stoneware?Sue wares have hard, bluish gray bodies. They were fired in Korean-style kilns, known as anagama in Japanese, which were single tunnel-like chambers half buried in the ground along the slope of a hill.
The mottled greenish brown glaze that coats most of this vessel's surface represents an early stage of another important development in pottery production. In this case, the glaze was formed when ash from the burning wood accidentally settled on the bottle during firing and fused to its surface in the hot temperature of the kiln. As this effect became desirable and potters learned to control the process, ash glaze was applied intentionally.
AMICA Contributor: The Metropolitan Museum of Art
Owner Location: New York, New York
ID Number: 1975.268.425
Credit Line: The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Copyright: Copyright ? 2002 The Metropolitan Museum of Art . All rights reserved.
AMICA ID: MMA_.1975.268.425
AMICA Library Year: 2002
Media Metadata Rights:
Copyright (c) 2002 The Metropolitan Museum of Art. All Rights Reserved
AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.
Copyright © 2007 Cartography Associates.
All rights reserved.