Oscar Bluemner / A Situation in Yellow / 1933Oscar Bluemner
A Situation in Yellow
1933

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Creator Name: Bluemner, Oscar Florianus
Creator Role: Artist
Creator Dates/Places: 1867-1938
Gender: M
Creator Name-CRT: Oscar Bluemner
Title: A Situation in Yellow
Title Type: Title
View: Full View
Creation Start Date: 1933
Creation End Date: 1933
Creation Date: 1933
Object Type: Paintings
Materials and Techniques: oil on canvas
Dimensions: 36 x 50 1/2 in. (91.44 x 128.27 cm.)
AMICA Contributor: Whitney Museum of American Art
Owner Location: New York, New York, USA
ID Number: 67.66
Credit Line: Gift of Nancy and Harry L. Koenigsberg
Rights: http://www.whitney.org/information/rights.shtml
Provenance: Estate of the artist Graham Gallery, New York, New York, - 1967 Collection of Nancy and Harry L. Koenigsberg, 1967 - 1967
Context - Person: Bluemner Oscar
Context - Person: Koenigsberg Harry L.
Context - Person: Koenigsberg Nancy
Context - Date: 1933 - 1933
Context: Oscar Bluemner's emergence after 1912 as a painter and brilliant colorist occurred simultaneously with the introduction of modernism in America. Modernism's new, non-naturalistic approach to color could be incorporated in painting more easily than in architecture, which Bluemner had formerly practiced. Yet architecture as a means of creating a dynamic pictorial structure remained a constant in his aesthetic vision. Over the years, his use of color and manipulation of formal components became increasingly bold and planar. His color theories - derived from Goethe and others - equated hue with emotion. Describing color as 'psychological plasma,' he associated his favored red with women and sex. He even called himself and was called by others the 'vermillionaire.' Colors other than red, however, can be found in Bluemner's fusions of man-made structures and nature. A Situation in Yellow was exhibited in his last one-artist show in 1935, entitled 'Composition for Color Themes.' While red predominated in the works exhibited, several paintings were composed of yellow, green, and blue. Signed 'Florianus' (the middle name he assumed in 1933), the Museum's painting deals more with a mood than with observed facts. At the end of his life, Bluemner noted of his work in general that he used the combination of 'lemon yellow and black to stir up an exquisite sensation.' The color was also connected for him with the 'yellow jealousies of Othello.' The dominant house shapes of A Situation in Yellow, set amid gaunt , gray trees and earth and against a vermillion backdrop, remain Bluemner's major essay in the color.
Context - Person: Patterson Sims
Context - Date: 1985
Context - Place: Catalog: 'Whitney Museum of American Art: Selected Works from the Permanent Collection'
Context - Place: Publisher: Whitney Museum of American Art, New York
Exhibition History: "In a Classical Vein: Selections from the Permanent Collection"
Exhibition History: (1) "American Art 1900-1940: A History Reconsidered"
Exhibition History: (2)American Art, 1900-1940: A History Reconsidered
Exhibition History: "An American Story"
Exhibition History: Leonard & Evelyn Lauder Galleries
Exhibition History: The American Century: Art and Culture 1900-2000 (Part I)
Exhibition History: Highlights from the Permanent Collection: From Hopper to Mid-Century
Related Multimedia Description: Antenna Audio: Permanent Collection Tour
Link to Multimedia: WMAA.AA200101.16.mp3
AMICA ID: WMAA.67.66
Component Measured: object
Measurement Dimension: height
Measurement Value: 91.44
Measurement Unit: cm
Measurement Dimension: width
Measurement Value: 128.27
AMICA Library Year: 2001
Media Metadata Rights: Copyright Whitney Museum of American Art

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