Rembrandt van Rijn / The Angel Appearing to the Shepherds / 1634Rembrandt van Rijn
The Angel Appearing to the Shepherds
1634

View Larger Image

View Full Catalog Record Below



This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library™), a growing online collection of high-quality, digital art images from over 20 museums around the world. www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
 
Preview the AMICA Library™ Public Collection in Luna Browser Now

  • Cultures and time periods represented range from contemporary art, to ancient Greek, Roman, and Egyptian works.
  • Types of works include paintings, drawings, watercolors, sculptures, costumes, jewelry, furniture, prints, photographs, textiles, decorative art, books and manuscripts.

Gain access to this incredible resource through either a monthly or a yearly subscription and search the entire collection from your desktop, compare multiple images side by side and zoom into the minute details of the images. Visit www.davidrumsey.com/amica for more information on the collection, click on the link below the revolving thumbnail to the right, or email us at amica@luna-img.com .



Creator Name: van Rijn, Rembrandt
Creator Dates/Places: Dutch, 1606 - 1669
Creator Name-CRT: Rembrandt van Rijn
Title: The Angel Appearing to the Shepherds
View: Full View
Creation Start Date: 1634
Creation End Date: 1634
Creation Date: 1634
Object Type: Prints
Materials and Techniques: Etching, engraving, and drypoint
Dimensions: Overall: 10 1/4 x 8 5/8 in. (26.03 x 21.92 cm.)
AMICA Contributor: Dallas Museum of Art
Owner Location: Dallas, Texas, USA
ID Number: 1963.38
Credit Line: Dallas Museum of Art, gift of Calvin J. Holmes
Rights: http://www.DallasMuseumofArt.org
Context: The symbolist painter Redon was a contemporary of Monet and other impressionists, but his artistic aims differed from theirs. His interest was not in the phenomenon of the visual world, but in the world of dreams and imagination, of mysticism and flights of fancy. In this picture of an imaginary but seemingly ancient event, a young woman wearing a symbolic mantle takes the hand of an even younger woman as if to impart some secret truth. Redon's poetic and evocative canvases so captivated the organizers of the 1913 Armory Show in New York that they devoted an entire room to his work. This landmark exhibition, which also traveled to Chicago and Boston, provided many Americans with a first opportunity to see modern European art. "Initiation to Study", which hung at the far right on the rear wall of the Redon Room at the New York show, attracted the attention of the famous collector John Quinn, who bought the painting for $675.
AMICA ID: DMA_.1963.38
AMICA Library Year: 2003
Media Metadata Rights:

AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.

Home | Subscribe | Preview | Benefits | About | Help | Contact
Copyright © 2007 Cartography Associates.
All rights reserved.