This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library), a growing online collection of high-quality, digital art images from over 20 museums around the world.
www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
- Cultures and time periods represented
range from contemporary art, to ancient Greek, Roman, and Egyptian works.
- Types of works include paintings, drawings,
watercolors, sculptures, costumes, jewelry, furniture, prints, photographs,
textiles, decorative art, books and manuscripts.
Gain access to this incredible resource through either a
monthly or a yearly subscription and search the entire collection from
your desktop, compare multiple images side by side and zoom into the minute
details of the images. Visit www.davidrumsey.com/amica
for more information on the collection, click on the link below the
revolving thumbnail to the right, or email us at amica@luna-img.com
.
Creator Name: Cesa, Pompeo della
Creator Nationality: European; Southern European; Italian
Creator Role: Artist
Creator Dates/Places: 1727 - 1788
Biography: Pompeo della Cesa was the most renowned Italian armorer of the late 16th century. His clients included some of the most celebrated noblemen of their day--the two Spanish kings Philip II and III; Alessandro Farnese, Duke of Parma and Piacenza; and Vincenzo I Gonzaga, Duke of Mantua. He is known to have maintained a large workshop in Milan's castle--the so-called Sforza Castle. The original owner of this armor remains unidentified. However, armors made for patrons of noble rank were typically of very high quality like this one. Ostentation was of paramount importance for public spectacles such as tournaments or parades. Most wealthy patrons afforded the additional expense of embellishing their armors. The most frequently used decorative technique for armor was etching, seen here, in which acid was used to 'bite' into exposed surfaces of the armor's steel plates to create permanent patterns. The etched and gilded decoration of this armor features vertical bands of strapwork enclosing cartouches which in turn contain allegorical figures, classical warriors, and trophies. The decoration represents Pompeo's classic style of armor decoration, one which is found on over forty surviving suits. These and other decorative patterns were normally recorded in pattern books from which the prospective client made his selections.
Gender: M
Creator Name-CRT: Pompeo della Cesa
Title: Half Armor for the Foot Tournament
Title Type: Primary
View: Full View
Creation Start Date: 1580
Creation End Date: 1600
Creation Date: c. 1590
Object Type: Decorative Arts and Utilitarian Objects
Classification Term: Armor
Classification Term: Arms
Materials and Techniques: steel, brass, leather and velvet
Dimensions: unmeasured
AMICA Contributor: The Cleveland Museum of Art
Owner Location: Cleveland, Ohio, USA
ID Number: 1996.299
Credit Line: John L. Severance Fund
Rights: http://www.clemusart.com/museum/disclaim2.html
Context: This armor was designed specifically for the foot tournament, a separate event from the equestrian jousts popularized during the Middle Ages and still highly favored among Renaissance aristocracies throughout Europe. Increasingly, these friendly combatson foot evolved their own rules of engagement as well as armor configuration. As they were commonly fought over a barrier which separated the combatants and gave protection to their legs, a half-armor such as this one provided sufficient protection. Theoriginal owner of this suit would have worn it with colorful puffed and slashed britches and hose. The use of colorful accessories such as a large ostrich feather plume (a brass plume holder may be seen on the back of the helmet) and red velvet pecadilsbetween the steel plates would have provided for additional sartorial splendor.
AMICA ID: CMA_.1996.299
AMICA Library Year: 1998
Media Metadata Rights:
Copyright, The Cleveland Museum of Art
AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.
Home
| Subscribe
| Preview
| Benefits
| About
| Help
| Contact
Copyright © 2007 Cartography Associates.
All rights reserved.
|