
This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library), a growing online collection of high-quality, digital art images from over 20 museums around the world.
www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
- Cultures and time periods represented
range from contemporary art, to ancient Greek, Roman, and Egyptian works.
- Types of works include paintings, drawings,
watercolors, sculptures, costumes, jewelry, furniture, prints, photographs,
textiles, decorative art, books and manuscripts.
Gain access to this incredible resource through either a
monthly or a yearly subscription and search the entire collection from
your desktop, compare multiple images side by side and zoom into the minute
details of the images. Visit www.davidrumsey.com/amica
for more information on the collection, click on the link below the
revolving thumbnail to the right, or email us at amica@luna-img.com
.
Creator Name: Daumier, Honoré-Victorin
Creator Role: Artist
Creator Dates/Places: 1808-1879
Creator Name-CRT: Honoré-Victorin Daumier
Title: The Connoisseur
View: Full View
Creation Start Date: 1860
Creation End Date: 1865
Creation Date: ca. 1860-65
Object Type: Drawings and Watercolors
Materials and Techniques: Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper.
Dimensions: Sheet: 17 1/4 x 14 in. (43.8 x 35.5cm)
AMICA Contributor: The Metropolitan Museum of Art
Owner Location: New York, New York, USA
ID Number: 29.100.200
Credit Line: H.O. Havemeyer Collection, Bequest of Mrs. H.O. Havemeyer, 1929
Rights: http://www.metmuseum.org/
Context: Daumier spent most of his life drawing for the wide audience reached by France's popular press. But when he was temporarily let go from the magazine 'Le Charivari' in 1860, he began to produce highly finished watercolors designed particularly for collectors. The Paris art market of the late nineteenth century, no longer the exclusive realm of princes and barons, flourished thanks to the keen interest of art-loving lawyers, bankers, industrialists, and merchants. Daumier often pictured the broad spectrum of enthusiasts attending exhibitions or visiting artists' studios; here he portrayed the model connoisseur engaged in the rapt contemplation of his collection. The special object of this collector's appreciation is a tabletop replica of the Venus de Milo, the monumental Greek marble that came to symbolize the beauty of antique art upon its installation in the Louvre in 1821. As if aware of the admiration directed toward her (by the sculpted and painted men in the room as well as by the connoisseur), the statuette returns the collector's gaze, somewhat impudently, it seems, and with exaggerated body torsion-which was modified in the original sculpture when its upper and lower parts were readjusted in 1871.
AMICA ID: MMA_.29.100.200
AMICA Library Year: 2000
Media Metadata Rights:
Copyright The Metropolitan Museum of Art
AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.
Home
| Subscribe
| Preview
| Benefits
| About
| Help
| Contact
Copyright © 2007 Cartography Associates.
All rights reserved.
|