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Creator Name: La Fosse, Charles de
Creator Nationality: European; French
Creator Role: Artist
Creator Dates/Places: 1636 - 1716
Gender: M
Creator Birth Place: Paris
Creator Name-CRT: Charles de La Fosse
Title: St. John the Evangelist
Title Type: Primary
View: Full View
Creation Start Date: 1695
Creation End Date: 1707
Creation Date: c. 1700-1702
Object Type: Drawings and Watercolors
Classification Term: Drawing
Materials and Techniques: black, red, and white chalk
Dimensions: Sheet: 42cm x 26.2cm
Inscriptions: verso, center, in brown ink: 191 [underlined with flourish]; upper left, in graphite: Lot 353 [underlined] / Hotel Drouot / Vente Chardey / 14-17 Mai/77; lower left, in graphite: C. Delafosse [underlined]
AMICA Contributor: The Cleveland Museum of Art
Owner Location: Cleveland, Ohio, USA
ID Number: 1956.602
Credit Line: Gift of Alida di Nardo in memory of her husband, Antonio di Nardo
Rights: http://www.clemusart.com/museum/disclaim2.html
Provenance: Unknown eighteenth-century? collector (inventory number with flourish on verso corresponds to similar numbers on other sheets by artist, see Vercier 2000, 150). Rémi Valdemar Chardey (1813-?), Le Havre; [sale, Hôtel Drouot, Paris, 14-16 May 1877, no. 353: "vingt-six beaux Dessins au crayon noir et à la sanguine: Composition, Têtes d'expression, Études de nus et de draperies" (inscription on verso notes sheet was part of this lot)]. (On Chardey, see Vercier 2000, 136; Hedley 2001 notes that drawings by La Fosse with the Charday provenance are often in poor condition and show water damage. A pronounced water stain on the Cleveland sheet, visible in all previous photographs, was removed for this exhibition.) Mr. and Mrs. Antonio di Nardo, Cleveland.
Context: Charles de La Fosse decorated the dome and pendentives (the curved, triangular areas between two arches supporting a dome) of the Church of the Invalides in Paris, between 1703 and 1706. This drapery study, one La Fosse's finest known drawings, is for an early rendering of the figure of Saint John the Evangelist, who appears in one of the pendentives. The use of black, white, and red chalk was a popular technique among French artists and became known as trois crayons (literally 'three crayons').
AMICA ID: CMA_.1956.602
AMICA Library Year: 1998
Media Metadata Rights:
Copyright, The Cleveland Museum of Art
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