Théodule-Augustin Ribot / Lazarillo de Tormes and His Blind Master / before 1880Théodule-Augustin Ribot
Lazarillo de Tormes and His Blind Master
before 1880

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Creator Name: Ribot, Théodule-Augustin
Creator Nationality: European; French
Creator Role: Artist
Creator Dates/Places: 1823 - 1891
Biography: Théodule Ribot first tried to study art at the trade school in Châlons, École des Arts et Métiers. When his father died in 1840, Ribot had to help support his family. He worked as a bookkeeper in Rouen, married early, and left for Paris in 1845. There he did various jobs, studied in the atelier of Auguste-Barthélémy Glaize (1807-1893), and, in 1848, went to Algeria to work as a foreman for three years. Back in Paris, he befriended the painter Bonvin (q.v.), who held an exhibition of pictures by his friends in his studio in 1859. These artists, including Fantin-Latour (q.v.), Alphonse Legros (1837-1911), Antoine Vollon (1833-1900), and J. A. M. Whistler (1834-1903), depicted ordinary subjects from their immediate environments without relying on narrative, and they generally used somber colors, limited illumination, and broader brushwork that contrasted with academic standards and methods. Their work elicited a positive response from Courbet (q.v.), considered the father of realism in France. Ribot first exhibited at a Paris Salon in 1861, when his kitchen scenes won generally favorable reviews. To underscore a humble life-style for the artist, his early biographers claim that the dark, inky backgrounds of his pictures were the result of Ribot's painting by lamplight in his free evenings at home. He continued to depict working-class and peasant subjects in a style variously described as Dutch or Spanish by critics, and he participated in the Salons and provincial and international art exhibitions. Always interested in expanding exhibition opportunities for independent painters like himself, he signed a petition in 1863 that decried the Salon jury's numerous rejections that year and contributed to the official decision to hold the Salon des Refusés. Ribot sold his pictures through art galleries in Paris, such as those of Louis Martinet, Alfred Cadart, and Bernheim Jeune, and the French state bought his St. Sebastian (Musée d'Orsay, Paris) in 1865. In 1878 he was named to the Legion of Honor. The following year a serious illness kept Ribot from painting for two years, and his production fell off after this period. In 1884 his fellow artists, including Jules Bastien-Lepage (1848-1884), Boudin (q.v.), Fantin-Latour, Monet (q.v.), Puvis de Chavannes (q.v.), and Auguste Rodin (1840-1917), held a banquet in his honor and gave him a medal inscribed "To Théodule Ribot, the independent painter." It is ironic, then, that the year after his death a major retrospective exhibition was organized at the official art school, the École des Beaux-Arts in Paris.
Gender: M
Creator Birth Place: St. Nicholas d'Attez (Eure), 5 August 1823
Creator Death Place: Colombes, 11 September 1891
Creator Name-CRT: Théodule-Augustin Ribot
Title: Lazarillo de Tormes and His Blind Master
Title Type: Primary
View: Full View
Creation Start Date: 1870
Creation End Date: 1880
Creation Date: before 1880
Object Type: Paintings
Materials and Techniques: oil on fabric
Dimensions: Unframed: 91.5cm x 73.7cm
Inscriptions: Signed lower left: t. Ribot
AMICA Contributor: The Cleveland Museum of Art
Owner Location: Cleveland, Ohio, USA
ID Number: 1980.282
Credit Line: Bequest of Noah L. Butkin
Rights: http://www.clemusart.com/museum/disclaim2.html
Provenance: E. Oppenheim by 1887. His sale, Paris, collection E. O[ppenheim], Drouot, 11 May 1897 (lot 22), L'aveugle et don Gusman d'Alfarache, 93 x 74 cm, ff 5,050. Paris sale, Georges Petit, 4-5 December 1918 (lot 08, repr.), L'aveugle et Don Guzman d'Alfarache, 92 x 74 cm. Paris sale, Drouot, salle 1, 7 November 1973 (no lot number, repr.), L'aveugle et don Guzman d'Alfarache, ff 53,000 (Gazette H-D). London, Arcade Gallery (Peter Wengraf), as L'aveugle et Don Guzman d'Alfarache, for $15,000. Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.
AMICA ID: CMA_.1980.282
AMICA Library Year: 2001
Media Metadata Rights: Copyright, The Cleveland Museum of Art

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