Emaki artists, Japanese artists working in the narrative handscroll or emaki format, were masters of dramatic suspense. This scroll depicts the origin of the Kitano Shrine of the Tenjin cult, one of the most important in Shinto, the indigenous religion of Japan. As it is unrolled (from right to left), a cloud lifts to reveal floodwaters raging against a windswept veranda, where two disheveled courtiers lie. With another arm's-length opening of the scroll, the storm-demon god hurls hail, lightning, and bloody vengeance against the hapless minister Fujiwara Tokihira (871-909), who futilely brandishes a sword against the angry spirit of Sugawara-no-Michizane (845-903), a rival who died in exile at Tokihira's contrivance. Jagged lines of cut-gold lightning unite the scene's beginning with its denouement, in which a priest incants Esoteric Buddhist formulas against the disaster. This is one of thirty-seven illustrations in the Museum's version of the Kitano Tenjin Engi, painted in the second half of the thirteenth century for one of the many Shinto shrines dedicated to appease Michizane's spirit, believed to have caused the deaths of his enemies and extraordinary natural disasters. This version, second in age only to the early thirteenth-century set in the main shrine at Kitano in Kyoto, is unique for its second section describing the monk Nichizo's Dantesque journey to hell. Nichizo encounters the repentant spirit of Emperor Daigo (885-930), who had wrongly ordered the exile of his loyal minister Michizane. The torments of hell, brilliantly envisaged, reflect contemporaneous paintings of hell inspired by Pure Land teaching.
cxd
<P>Emaki artists, Japanese artists working in the narrative handscroll or emaki format, were masters of dramatic suspense. This scroll depicts the origin of the Kitano Shrine of the Tenjin cult, one of the most important in Shinto, the indigenous religion of Japan. As it is unrolled (from right to left), a cloud lifts to reveal floodwaters raging against a windswept veranda, where two disheveled courtiers lie. With another arm's-length opening of the scroll, the storm-demon god hurls hail, lightning, and bloody vengeance against the hapless minister Fujiwara Tokihira (871-909), who futilely brandishes a sword against the angry spirit of Sugawara-no-Michizane (845-903), a rival who died in exile at Tokihira's contrivance. Jagged lines of cut-gold lightning unite the scene's beginning with its denouement, in which a priest incants Esoteric Buddhist formulas against the disaster. This is one of thirty-seven illustrations in the Museum's version of the Kitano Tenjin Engi, painted in the second half of the thirteenth century for one of the many Shinto shrines dedicated to appease Michizane's spirit, believed to have caused the deaths of his enemies and extraordinary natural disasters. This version, second in age only to the early thirteenth-century set in the main shrine at Kitano in Kyoto, is unique for its second section describing the monk Nichizo's Dantesque journey to hell. Nichizo encounters the repentant spirit of Emperor Daigo (885-930), who had wrongly ordered the exile of his loyal minister Michizane. The torments of hell, brilliantly envisaged, reflect contemporaneous paintings of hell inspired by Pure Land teaching.</P>
Context
false