COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1935.233
amicoid
CMA_.1935.233
AMICA ID
false
AMICA Library Year:
1998
aly
1998
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
Redon, Odilon
crn
Redon, Odilon
Creator Name
false
Creator Nationality:
European; French
crc
European; French
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
1840 - 1916
cdt
1840 - 1916
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Odilon Redon
crt
Odilon Redon
Creator Name-CRT
false
Title:
Vase of Flowers
otn
Vase of Flowers
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
c. 1905
oct
c. 1905
Creation Date
false
Creation Start Date:
1903
ocs
1903
Creation Start Date
false
Creation End Date:
1907
oce
1907
Creation End Date
false
Materials and Techniques:
oil on canvas
omd
oil on canvas
Materials and Techniques
false
Dimensions:
Unframed: 73cm x 59cm
met
Unframed: 73cm x 59cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1935.233
ooa
1935.233
ID Number
false
Credit Line:
Gift of Roberta Holden Bole
ooc
Gift of Roberta Holden Bole
Credit Line
false
Inscriptions:
Signed lower right: "ODILON REDON"
oin
Signed lower right: "ODILON REDON"
Inscriptions
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Context:
Known for his dark, velevety charcoal drawings and lithographs, Redon began to work predominantly in oil and pastel after1900, thus enlisting color in his explorations of the realm of dreams and the imagination. Like other Symbolists, Redon admired the poetry of Edgar Allen Poe and Charles Baudelaire, who searched for alternative experiences beyond the limits of Realism and Impressionism. In this painting, Redon used his knowledge of botany as a starting point, but gave the flowers a sensuous form and heightened luminosity. In this way he fulfilled his ambition of conveying nature not objectively, but "as seen in a dream."
cxd
Known for his dark, velevety charcoal drawings and lithographs, Redon began to work predominantly in oil and pastel after1900, thus enlisting color in his explorations of the realm of dreams and the imagination. Like other Symbolists, Redon admired the poetry of Edgar Allen Poe and Charles Baudelaire, who searched for alternative experiences beyond the limits of Realism and Impressionism. In this painting, Redon used his knowledge of botany as a starting point, but gave the flowers a sensuous form and heightened luminosity. In this way he fulfilled his ambition of conveying nature not objectively, but "as seen in a dream."
Context
false
Related Image Identifier Link:
CMA_.1935.233.tif
ril
CMA_.1935.233.tif
Related Image Identifier Link
false