Detail View: The AMICA Library: Water-Moon Kannon
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AMICA ID:
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CMA_.1985.110
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AMICA Library Year:
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1998
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Object Type:
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Paintings
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Creator Name:
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Gakuo
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Creator Nationality:
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Asian; Far East Asian; Japanese
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Creator Role:
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artist
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Creator Dates/Places:
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1793 - 1841
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Gender:
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M
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Creator Name-CRT:
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Gakuo
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Title:
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Water-Moon Kannon
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Title Type:
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Primary
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View:
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Full View
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Creation Date:
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late 15th-early 16th Century
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Creation Start Date:
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1466
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Creation End Date:
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1533
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Materials and Techniques:
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hanging scroll; ink on paper
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Dimensions:
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Overall: 104.5cm x 44cm
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AMICA Contributor:
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The Cleveland Museum of Art
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Owner Location:
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Cleveland, Ohio, USA
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ID Number:
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1985.110
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Credit Line:
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John L. Severance Fund
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Rights:
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Context:
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The Bodhisattva Avalokiteshvara (Kannon in Japanese) is among the most popular Buddhist deities in Japan. By at least the twelfth century, painted images of this merciful figure surrounded by water, lush vegetation, and bamboo were being imported from the continent and also painted within the compounds of Japan's own monastic institutions. While initially such imagery emerged from literary descriptions in important religious texts extolling the virtues of Kannon, by the fourteenth and fifteenth centuries in Japan the deity depicted became more physically attractive and its presentation more varied. Shedding the guise of "foreignness" (Chinese or Korean), the white-robed manifestation of Kannon became the primary figural subject of medieval Zen painting. The relaxed swaying posture of Kannon lends an air of informality to this picture, enhancing the deity's appeal. The casual brushwork describing rocks, streambank, and water ripples accentuates this mood. Binding the composition together is a carefully orchestrated painting of subtly toned ink washes suffusing the atmosphere and illuminating the face and upper torso of the figure with the arc of the large halo. The composition and its constituent elements?especially the bamboo grove and the artist's clear delight in executing quick, almost rough, brushstrokes? mark a highly individualistic departure from normal representations of the time. Still, the fundamental Zen enigma remains accessible for pondering: which is more "real," the moon or its reflection? In the quest for spiritual awakening, Japan's medieval Zen monasteries embraced the use of paintings such as this white-robed Kannon as ceremonial objects and aids in instruction. Fresh interpretations of traditional Zen subjects were encouraged and they varied as widely as individual paths to enlightenment. M.R.C.
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Related Image Identifier Link:
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CMA_.1985.110.tif
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