COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
CMA_.1998.6
amicoid
CMA_.1998.6
AMICA ID
false
AMICA Library Year:
2000
aly
2000
AMICA Library Year
false
Object Type:
Drawings and Watercolors
oty
Drawings and Watercolors
Object Type
false
Creator Name:
Bandinelli, Baccio
crn
Bandinelli, Baccio
Creator Name
false
Creator Nationality:
European; Southern European; Italian
crc
European; Southern European; Italian
Creator Nationality
false
Creator Role:
artist
crr
artist
Creator Role
false
Creator Dates/Places:
1493 - 1560
cdt
1493 - 1560
Creator Dates/Places
false
Gender:
M
cgn
M
Gender
false
Creator Name-CRT:
Baccio Bandinelli
crt
Baccio Bandinelli
Creator Name-CRT
false
Title:
Seated Male Nude
otn
Seated Male Nude
Title
false
Title Type:
Primary
ott
Primary
Title Type
false
View:
Full View
rid
Full View
View
false
Creation Date:
c. 1516/20
oct
c. 1516/20
Creation Date
false
Creation Start Date:
1516
ocs
1516
Creation Start Date
false
Creation End Date:
1520
oce
1520
Creation End Date
false
Materials and Techniques:
red chalk
omd
red chalk
Materials and Techniques
false
Dimensions:
Sheet: 40cm x 23.6cm
met
Sheet: 40cm x 23.6cm
Dimensions
false
AMICA Contributor:
The Cleveland Museum of Art
oon
The Cleveland Museum of Art
AMICA Contributor
false
Owner Location:
Cleveland, Ohio, USA
oop
Cleveland, Ohio, USA
Owner Location
false
ID Number:
1998.6
ooa
1998.6
ID Number
false
Credit Line:
John L. Severance Fund
ooc
John L. Severance Fund
Credit Line
false
Rights:
orl
<a href="http://www.clemusart.com/museum/disclaim2.html"target="_new">http://www.clemusart.com/museum/disclaim2.html</a>
Rights
false
Provenance:
[Sotheby's, London, 1 December 1964, no. 170]. [W. H. Schab, New York]. [Christie's, London, 8 December, 1987, no. 72]. [Sotheby's, New York, 28 January, 1998, no. 69]
opo
[Sotheby's, London, 1 December 1964, no. 170]. [W. H. Schab, New York]. [Christie's, London, 8 December, 1987, no. 72]. [Sotheby's, New York, 28 January, 1998, no. 69]
Provenance
false
Context:
This seated nude comes from a series of red chalk drawings that Bandinelli based loosely on Michelangelo's ignudi (nudes) on the Sistine Chapel ceiling (1508-12) . The Seated Male Nude is a finished work of art: the forms have precise outlines and are filled in with painstaking hatching that renders the figure in careful relief. Bandinelli prized these drawings and encouraged his heirs to save them for posterity.One of the most important Italian sculptors of the 16th century, Bandinelli created works that reflect the influence of ancient models as well as a dependence on disegno (drawing). Bandinelli's drawings were prized both during and after his lifetime by his many admirers and students (he opened one of the first drawing academies of Renaissance Italy). As he said himself, "All my concentration was fixed on drawing: in the judgement of Michelangelo, of our Princes, and other notables, it is above all in that activity that I have prevailed."
cxd
This seated nude comes from a series of red chalk drawings that Bandinelli based loosely on Michelangelo's ignudi (nudes) on the Sistine Chapel ceiling (1508-12) . The Seated Male Nude is a finished work of art: the forms have precise outlines and are filled in with painstaking hatching that renders the figure in careful relief. Bandinelli prized these drawings and encouraged his heirs to save them for posterity.One of the most important Italian sculptors of the 16th century, Bandinelli created works that reflect the influence of ancient models as well as a dependence on disegno (drawing). Bandinelli's drawings were prized both during and after his lifetime by his many admirers and students (he opened one of the first drawing academies of Renaissance Italy). As he said himself, "All my concentration was fixed on drawing: in the judgement of Michelangelo, of our Princes, and other notables, it is above all in that activity that I have prevailed."
Context
false
Related Image Identifier Link:
CMA_.1998.6.tif
ril
CMA_.1998.6.tif
Related Image Identifier Link
false