COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
DMA_.1933.22
amicoid
DMA_.1933.22
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Sculpture
oty
Sculpture
Object Type
false
Creator Name:
Austin, Dorothy
crn
Austin, Dorothy
Creator Name
false
Creator Dates/Places:
American, born 1911
cdt
American, born 1911
Creator Dates/Places
false
Creator Name-CRT:
Dorothy Austin
crt
Dorothy Austin
Creator Name-CRT
false
Title:
Noggin
otn
Noggin
Title
false
View:
Full View
rid
Full View
View
false
Creation Date:
c. 1933
oct
c. 1933
Creation Date
false
Creation Start Date:
1931
ocs
1931
Creation Start Date
false
Creation End Date:
1935
oce
1935
Creation End Date
false
Materials and Techniques:
Wood
omd
Wood
Materials and Techniques
false
Dimensions:
Overall: 13 x 8 x 10 3/4 in. (33.02 x 20.32 x 27.31 cm.)
met
Overall: 13 x 8 x 10 3/4 in. (33.02 x 20.32 x 27.31 cm.)
Dimensions
false
AMICA Contributor:
Dallas Museum of Art
oon
Dallas Museum of Art
AMICA Contributor
false
Owner Location:
Dallas, Texas, USA
oop
Dallas, Texas, USA
Owner Location
false
ID Number:
1933.22
ooa
1933.22
ID Number
false
Credit Line:
Dallas Museum of Art, gift of an anonymous friend
ooc
Dallas Museum of Art, gift of an anonymous friend
Credit Line
false
Rights:
orl
<a href="http://www.DallasMuseumofArt.org"target="_new">http://www.DallasMuseumofArt.org</a>
Rights
false
Context:
Dorothy Austin left Dallas at 17 to study at the Art Students League in New York, returning two years later to Texas, where she brought fresh and innovative stylistic energy to bear in her figural works. In "Noggin," Austin achieves an almost architectural solidity in the portrait head, employing deep, stylized incisions and highlighting the grain of the wood to express the psychic strength lying behind the closed eyes.
cxd
Dorothy Austin left Dallas at 17 to study at the Art Students League in New York, returning two years later to Texas, where she brought fresh and innovative stylistic energy to bear in her figural works. In "Noggin," Austin achieves an almost architectural solidity in the portrait head, employing deep, stylized incisions and highlighting the grain of the wood to express the psychic strength lying behind the closed eyes.
Context
false
Related Image Identifier Link:
DMA_.1933_22.tif
ril
DMA_.1933_22.tif
Related Image Identifier Link
false