COLLECTION NAME:
The AMICA Library
mediaCollectionId
AMICO~1~1
The AMICA Library
Collection
true
AMICA ID:
DMA_.1987.47
amicoid
DMA_.1987.47
AMICA ID
false
AMICA Library Year:
2003
aly
2003
AMICA Library Year
false
Object Type:
Paintings
oty
Paintings
Object Type
false
Creator Name:
Huddle, William
crn
Huddle, William
Creator Name
false
Creator Dates/Places:
American, 1847 - 1892
cdt
American, 1847 - 1892
Creator Dates/Places
false
Creator Name-CRT:
William Henry Huddle
crt
William Henry Huddle
Creator Name-CRT
false
Title:
Davy Crockett
otn
Davy Crockett
Title
false
View:
Full View
rid
Full View
View
false
Creation Date:
1889
oct
1889
Creation Date
false
Creation Start Date:
1889
ocs
1889
Creation Start Date
false
Creation End Date:
1889
oce
1889
Creation End Date
false
Materials and Techniques:
Oil on masonite
omd
Oil on masonite
Materials and Techniques
false
Dimensions:
Overall: 21 x 13 in. (53.34 x 33.02 cm.)
met
Overall: 21 x 13 in. (53.34 x 33.02 cm.)
Dimensions
false
AMICA Contributor:
Dallas Museum of Art
oon
Dallas Museum of Art
AMICA Contributor
false
Owner Location:
Dallas, Texas, USA
oop
Dallas, Texas, USA
Owner Location
false
ID Number:
1987.47
ooa
1987.47
ID Number
false
Credit Line:
Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation
ooc
Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation
Credit Line
false
Rights:
orl
<a href="http://www.DallasMuseumofArt.org"target="_new">http://www.DallasMuseumofArt.org</a>
Rights
false
Context:
Magritte was a leading surrealist artist who sought to evoke the mystery of life in his paintings through startling juxtapositions of elements from everyday life, which he steadfastly refused to explain. "One can accept poetic images as they are," he wrote, "refraining from reducing to the known what they have of the unknown, since their reality is the same kind as that of the universe."
cxd
Magritte was a leading surrealist artist who sought to evoke the mystery of life in his paintings through startling juxtapositions of elements from everyday life, which he steadfastly refused to explain. "One can accept poetic images as they are," he wrote, "refraining from reducing to the known what they have of the unknown, since their reality is the same kind as that of the universe."
Context
false
Related Image Identifier Link:
DMA_.1987_47.tif
ril
DMA_.1987_47.tif
Related Image Identifier Link
false